Posted by: Glenelg Guitar Studio | September 10, 2017

Who wrote that ?

Maybe Manuel Ponce thought people would like his music more if they thought it was composed some 200 years before by another famous, and long dead composer.
Maybe the scam was for other reasons or maybe just a little bit of fun at the expense of the music public.

We will never really know why he attributed this piece to A Scarlotti (1685-1757).

Whatever “maybe” it was, we know that Manuel Ponce (1882-1948) was a great composer of works for guitar and piano as well as other instruments and that the piece “Gavotte” is captivating.

This is a piece for advanced students but anyone around grade 2 standard can start work on the piece. If you want to add this to your repertoire let me know next time we catch up.

Cheers
Leigh

 

Posted by: Glenelg Guitar Studio | August 20, 2017

The Tango Salon

Did you know that Adelaide has it’s own Tango Salon where dancers learn and reflect on the Tango ? It was certainly a new one to me, but I’m more accustomed to playing the music rather than hitting the dance floor.

My good friend Wikipedia has some information about the term “Milonga” which is also the name of the piece that I am playing.

Milonga is a term for a place or an event where tango is danced. People who frequently go to milongas are sometimes called milongueros. The term “milonga” can also refer to a musical genre or a style of dance related to tango.

The music played is mainly tango, vals and milonga (as the musical genre). Most milongas are held on a regular basis (usually weekly), and they often begin with dancing classes and sometimes demonstration dances. Usually, three to five songs of a kind are played in a row (this is called tanda) followed by a short musical break (called cortina) to clear the dance floor and facilitate partner changes.

So there’s a few new terms for you to remember. Milonga, Vals, Tanda and Cortina…does anyone remember the Ford Cortina car in the 1960’s?.

The piece Milonga is by 68 year old Argentinian composer Jorge Cardoso, who is famous for his composition and performances on classical guitar. The piece can be played by students of grade 2 standard and can also be adapted for modern guitar students. Talk to me if you are interested in adding this to your repertoire.

Hope you enjoy my video and make sure you watch the master himself play this piece as a duet.

Cheers
Leigh

 

 

 

 

Posted by: Glenelg Guitar Studio | July 30, 2017

Canarios

This is a famous piece that I’m sure everyone has heard at one time and most students of classical guitar will learn.

Canarios was composed by Francisco Bartolomé Sanz Celma (April 4, 1640 – 1710), better known as Gaspar Sanz. He was a composer, guitarist, organist and priest born to a wealthy family in Calanda, Spain. He studied music, theology and philosophy at the University of Salamanca, where he was later appointed Professor of Music. He wrote three volumes of works for the baroque guitar that form an important part of today’s classical guitar repertoire and have informed modern scholars in the techniques of baroque guitar playing.

Canarios” is actually a dance piece, therefore the rhythm comes to the fore as you will see in the video. I’m sure you will recognise this piece, which is worthy of study by students of grade 2 standard and above. It can be simplified when learning by firstly learning the bass line and adding to that achievement and can be played on Steel-string or Electric Guitar.

Make sure to play the second video to see the way it should be danced. Maybe the music will make you want to get up and dance, or at least tap your feet.

If you want more information on this piece let me know next time we catch up.

Cheers
Leigh

Posted by: Glenelg Guitar Studio | April 24, 2017

No more CRAFT days

Recently I was talking to Ian, a mature age student, about the need to memorise certain sections of a piece he was learning and we discussed the different methods that people use. Ian decided to put some ideas to paper in his effort to work out his best way to memorise music. Have a read of his jottings and see if they suit you.

Memorising is a major step in your musical progression and one that needs constant attention, however the benefits are huge.

I look forward to hearing any of your ideas on memorising, or maybe you have some thoughts on another guitar learning subject that you want to contribute. Please feel free to email them to me.

Cheers
Leigh

“Some days I seem to be able to remember pieces of music better than others; but why ?

I am now at the stage of my very slow learning of the guitar where I need to be able to memorise certain more involved sections. Some days are not so bad but others can only be classified as CRAFT DAYS (Cant Remember A Flippin’ Thing DAYS). Being a mature age student it’s not so easy to teach this dog new tricks so I tried to analyse how I best solve the problem of memorising.

A Psychologist friend said that at my age it is hard to keep more than 6 things in my “working memory”, that part that lets you multiply numbers in your head etc. Try multiplying 267 by 27 in your head !!.

After a lengthy discussion with him I arrived back at the things that Leigh is always going on about.

You can move things from your “working memory” to your “long term memory” in a number of ways.

Here’s the ones’ I’m using now.

Rehearsal. Make sure you know the music.
First analyse the whole piece looking for repeated bars, notes and rhythms and mark them on the music. My music books are now full of scratchings, arrows and circles and I know of some people who use various highlighters to mark repeats. I don’t try to memorise until I know where the music is going, although I do break it down into sections so I can start the process before I finish learning the whole piece.

Break it down. Start at the first bar.
Don’t try to learn too much at a time. 1 or 2 bars is enough for me.

Look for the repeated notes, rhythms and bars in the piece.
Mark them on the sheet music or maybe highlight them.

Hide the sheet music.
Play the bar/bars then turn away and see if you can play correctly.

Visualise the music.
I play whilst looking at my left hand so that I can later visualize the notes.

Try humming the bar/bars so that you get the rhythm.

See if you can now visualize the notes on the sheet music.
Some people think about what string and fret but I think about the note by its’ name.

Record and listen to the music
Listen to a recording of the piece if it’s on CD or get Leigh to record it for you at the speed you can play at.

Regular practice
Try to practice it daily. Remember that a short practice between other things is better than none at all”.

Ian is a mature age student at Glenelg Guitar Studio having decided that learning a musical instrument would be a good idea to keep his “mind alert”. He enjoys the challenge of guitar especially as he had absolutely no prior musical background. He keeps physically healthy with kayaking and bike riding and mentally fit with the Guitar. You can find his other jottings at www.paddlingsouth.wordpress.com

Cheers
Leigh

Posted by: Glenelg Guitar Studio | March 17, 2017

In a Haze

I’m sure you know that today is Friday but did you know that it is the 76th day of the year 2017 ?. There’s another chronological fact that I would like to share with you; If you have a 1967 calendar lurking in the shed pull it out and stick it on the fridge. The 2017 and 1967 calendars are exactly the same, except for school holidays I suppose.

But the most interesting fact about today, March 17th, is that it was the release date of Purple Haze by the Jimmy Hendix Experience in 1967.

I can tell you that in 1967 Jimmy Hendrix helped change the way that people saw the role of the guitar in modern music (trust me, I was there). Contrast the number-one pop hit song in the U.S. on this day, Penny Lane by The Beatles to the driving guitar of Hendrix and you will see what I mean.

Purple Haze is an excellent piece to learn for grade 2 students as it contains a range of skills to master with its’ notes, slides, bends, vibratos and bar chords and best of all it sounds great. I have recorded a short video of the introduction of the song so check it out and if you want to learn this piece let’s talk about it at your next lesson.

Make sure to have a look at the live recording in the second video. Note that Jimmy Hendrix was left handed and used a right handed guitar which he had restrung to suit.

Cheers
Leigh

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